Pictures of iggy pop full#
He returned to writing full time in 2010. In 1993, he made the move to features, and in 1995 became the Entertainment Editor for 15 years. Daily News working in editing positions on the news side, including working on the day the L.A. So I had to stop and scream, ‘Mike, tune the damn bass.’ Normal groups don’t do that. And when we finally got out there, Mike was out of tune. When asked about the famous Coachella reunion, he says he remembers a lot of “post-teen television starlets and self-styled avatars of rock riding around in golf carts and grinning at each other. So it is a nice arc.”ĭespite the new documentary, Pop, the only surviving member of the original band, does not seem particularly nostalgic. “The nice thing about it is that I’ll be 70 if I make it in April, and I’ve an easier life now than I have ever had. “If I was homeless right now, I’d still be doing what I was going to do in some form until I drop dead,” he said. Pop says from the day he decided to pursue music he was determined to stick to it. I only cared that they were getting in the way of me getting things done.” So I just kept going.”Īdding, “I didn’t care that some (jerk) didn’t like what I was doing. “I have limited treasures of the trash skills. I can’t sing like Otis Redding and I don’t look as good as Peter Noone,” he says. If anything defined the Stooges, it was a streak of anarchy that ran through songs like “I Wanna Be Your Dog.” The problem, according to Pop, was that people always wanted to turn him and the Stooges into something they weren’t. With a couple of new members - guitarist James Williamson and former Minutemen bassist Mike Watt - onboard, they toured, finally making real money for the first time as a band.
The Stooges would finally get back together at Coachella in 2003, minus original bassist Dave Alexander, who died in 1975. You can Google it.”Īfter the Stooges broke up, Pop began a successful solo career in 1976, occasionally collaborating with some of original members. “There’s a five-to-eight year period I didn’t. “I don’t know why, but I said, ‘Excuse me, guys, but I got to take off all my clothes.’ So that was the first nudity in the Stooges,” says Pop.īut he notes he didn’t always work topless, despite his image. Known for performing shirtless, the rocker came to this look after hallucinating that he saw a “holographic image of the sitting Buddha” and heard a voice telling him to take his clothes off. Jarmusch had Jim Kerr animate moments from Pop’s life, such as Iggy curing marijuana in the dryer at his parents’ trailer park.
Pictures of iggy pop tv#
He used clips from ’50s TV and films to show the cultural influences on Pop’s songwriting. Since there wasn’t a lot of archival footage of the Stooges, the filmmaker found inventive ways to tell the story. Jarmusch used those memories as a through line for the film and added interviews of band members and others. The first thing the filmmaker did was record about 10 hours of recollections by Iggy, who grew up in a trailer home on the outskirts of Ann Arbor, Michigan.
Pictures of iggy pop archive#
London Rock: The Unseen Archive by Alec Byrne runs until 28 January at Proud Central London.“That kind of primal thing really spoke to me,” says Jarmusch, who started making the film, which he calls more essay than documentary, around seven years ago. The exhibition features many previously unseen photographs, and coincides with the UK launch of Byrne’s book London Rock: The Unseen Archive, distributed by Ebury Publishing. Byrne’s desire to capture the most powerful imagery saw him battling to the front of crowds and racing home from performances to develop his work through the night.” “His intuitive approach was of a rock n’ roll mindset,” says the gallery, “favouring candid photography over a studio setting. Mostly shot in moody black and white - with a notable exception for the gorgeous curls and brilliant pink and yellow smiley t-shirt of Marc Bolan, the images brim with personality each one really does appear to speak a thousand words about an unprecedentedly exciting cultural moment. He began his career under contract to shoot live acts for NME at just 17 years-old, and rather sickeningly described his then-scheduled as "The Who on Thursday, The Rolling Stones on Saturday, Led Zeppelin on Monday - just incredible’."Īlongside celebrating Byrne’s clear photographic prowess, the exhibition looks to simultaneously explore the cultural significance of rock ’n’ roll in the 60s and 70s “swinging” London, including Bowie, The Beatles and The Rolling Stones. The show at London’s Proud Central presents the unseen archive of photographer Alex Byrne, who came to prominence in the 1960s and 70s, celebrating the passion and grit of the musicians in his impressively starry sphere.
0 kommentar(er)
